5,704 Royalty-Free Audio Tracks for "U.S. Marine Band Directed By Col. Jason K. Fettig"

Mozart's Serenade No. 10 in B-flat major ("Grand Partita") VII. Finale. Molto Allegro performed by "The President's Own" United States Marine Band. Broadcast on May 20, 2021, from Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, as part of the Marine Band's 2021 Virtual Showcase Concert Season.

An American march composed in 1938 with lyrics written in 1947. Performed by the United States Air Force Band. The U.S. Air Force song, from the 1998 album Espirit de Corps.

Oskar Böhme's Sextet in E-flat minor III. Andante cantabile performed by the United States Marine Band's Marine Brass Sextet on July 16, 2020, in John Philip Sousa Band Hall in Washington, D.C. as part of the Marine Band's "Live from 8th and I" summer virtual concert series.

Oskar Böhme's Sextet in E-flat minor I. Adagio ma non tanto, Allegro molto performed by the United States Marine Band's Marine Brass Sextet on July 16, 2020, in John Philip Sousa Band Hall in Washington, D.C. as part of the Marine Band's "Live from 8th and I" summer virtual concert series.

Oskar Böhme's Sextet in E-flat minor IV. Allegro con spirito performed by the United States Marine Band's Marine Brass Sextet on July 16, 2020, in John Philip Sousa Band Hall in Washington, D.C. as part of the Marine Band's "Live from 8th and I" summer virtual concert series.

The Presidential Polonaise by John Philip Sousa, played by the U.S. Marine Band for the album Semper Fidelis: Music of John Philip Sousa

Daniel Auber's overture to the opera Fra Diavolo, played by the United States Marine Band for the album Overtures, Volume Two.

The Fackeltanz No. 1 in B-flat by Giacomo Meyerbeer and scored for military band by Wilhelm Friedrich Wieprecht, played by the U.S. Marine Band for the album Courtly Dances. Эрзянь: Fackeltanz 1-це No. си-бемольсэ Джакомо Мейербер эйстэ, кона ульнесь сёрмадызе Вильгельм Фридрих Випрехтих. Ды сонзэ налксизе Courtly Dances Американь иневедень седямопурнавксось. Fackeltanz Nr 1 B-dur Giacomo Meyerbeera w aranżacji Wilhelma Friedricha Wieprechta na orkiestrę wojskową i wykonaniu Orkiestry Korpusu Piechoty Morskiej Stanów Zjednoczonych pochodzącym z albumu Courtly Dances.

The first movement, "Jubilee", from George Whitefield Chadwick's Symphonic Sketches, played by the U.S. Marine Band for the album Director's Choice.

Antônio Carlos Gomes's overture to the opera Il Guarany, played by the United States Marine Band for the album Overtures, Volume Two.

Otto Nicolai's overture to the opera The Merry Wives of Windsor, played by the United States Marine Band for the album Overtures, Volume Two.

Radetzky March by Johann Strauss I, from Sound Off!, recorded May 18–21, 1992 at Center for the Arts, George Mason University

Cécile Chaminade's Flute Concertino in D major, Op. 107, performed by the United States Marine Band on October 8, 2012 in Oncenter Crouse Hinds Theater in Syracuse, New York, during its National Tour to the Northeast. Colonel Michael J. Colburn, conducting and MGySgt Betsy Hill, flute soloist. This recording contains quite a bit of extraneous noise.

The bugle call "Taps", performed by Sergeant Codie Lynn Williams of Dallas, ceremonial bugler for Marine Barracks Washington, on a Soprano bugle in G, as typically performed in the U.S. military.

K-K-K-Katy by Geoffrey O'Hara. Singer is Billy Murray.

The march Who's Who in Navy Blue by John Philip Sousa, played by the U.S. Marine Band for the album Semper Fidelis: Music of John Philip Sousa

w:John Philip Sousa's "King Cotton" Recording date not clear according to CD booklet metadata suggests 1989

Forward with NOAA the NOAA Corps Song The "NOAA Corps Song" is actually entitled "Forward with NOAA." In 1987-88 the National Association of Commissioned Officers (ACO) was interested in commissioning a NOAA Song. Captain (then Commander) Steve Manzo was a member of the ACO Executive Board and volunteered to assist. Manzo contacted a long-time friend, Bob Arberg. Bob's father, Bud Arberg, had actually written the music and words to the "Army Song" -- while assigned to the Adjutant General's Staff during World War II. Dr. Arberg (former Princeton graduate in music) was retired and he readily volunteered to write a song. Dr. Arberg was provided reference materials on the NOAA Corps. He recognized at the outset that this was an attempt to build NOAA Corps morale and he cautioned that buy-in/acceptance within the Corps would not be easy. The song was first presented at a National ACO Dining-In in either 1988 or 89. Secretary of Commerce William Verity was present, as were both Bud and Bob Arberg. Bud Arberg played the piano and performed the "NOAA Song" to the assembled group of 150 officers and guests. Upon completing the NOAA Song, Secretary Verity graciously presented Dr. Arberg with a small gift of thanks on behalf of DOC/NOAA/NOAA Corps. The music was arranged by the USAF Band. The words are as follows: Forward with NOAA With the Corps that's got it all Science and Service We are always there to meet the call We survey the oceans And we track storms in the air Forward with NOAA We're the NOAA Corps, we're always there -- Musical Interlude then Repeat -- Forward with NOAA With the Corps that's got it all Science and Service We are always there to meet the call We survey the oceans And we track storms in the air Forward with NOAA We're the NOAA Corps, we're always there

Adolphe Sellenick's march Marche Indienne (Hindu March), played by the U.S. Marine Band for the album Sound Off!.

Patrick Gilmore's "Famous 22nd Regiment March", played by the U.S. Marine Band for the album Sound Off!.

Movement I of Ottorino Respighi's The Pines of Rome, entitled The Pines of Villa Borghese. It portrays noisy children playing soldiers and marching in the pine groves of the Borghese gardens.

The German military march "Badonviller" ("Badenweiler Marsch"), performed by "The President's Own" United States Marine Band for the album Sound Off!. The march itself is preceded by traditional introduction of the "Parademarsch der Spilleuten" and German "Lockmarsch".

Johann Sebastian Bach's Violin Concerto No. 1 in A minor I. Allegro moderato (BWV 1041) performed by the Marine Chamber Orchestra of the United States Marine Band on June 7, 2014, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va. Capt. Michelle A. Rakers, conducting. MGySgt Claudia Chudacoff, soloist.

Johann Sebastian Bach's Violin Concerto No. 1 in A minor III. Allegro assai (BWV 1041) performed by the Marine Chamber Orchestra of the United States Marine Band on June 7, 2014, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va. Capt. Michelle A. Rakers, conducting. MGySgt Claudia Chudacoff, soloist.

Johann Sebastian Bach's Violin Concerto No. 1 in A minor II. Andante (BWV 1041) performed by the Marine Chamber Orchestra of the United States Marine Band on June 7, 2014, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va. Capt. Michelle A. Rakers, conducting. MGySgt Claudia Chudacoff, soloist.

Ludwig Van Beethoven's Symphony No. 1 in C (Op. 21): I. Adagio molto, Allegro con brio performed by the Marine Chamber Orchestra of the United States Marine Band on Jan. 27, 2019, at Northern Virginia Community College's Rachel M. Schlesinger Concert Hall and Arts Center. Captain Ryan J. Nowlin, conducting.

MIDI rendition of Wolfgang Amadeus Mozart's 1787 song "Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte", K. 520

An der schönen, blauen Donau (The Beautiful Blue Danube) , Op. 314.

An der schönen, blauen Donau (The Beautiful Blue Danube) , Op. 314 (arr. for wind ensemble)

An der schonen, blauen Donau (The Beautiful Blue Danube) , Op. 314.

The intermezzo from Enrique Granados's Goyescas, played in an transcription by the U.S. Marine Band for the album Director's Choice.

The "March of the Mogul Emperors" from The Crown of India Suite by Edward Elgar, in a transcription by Frank Winterbottom, played by the U.S. Marine Band for the album Music From the Land of Hope and Glory under the direction of Col. Michael J. Colburn.

The "Menuetto" from The Crown of India Suite by Edward Elgar, in a transcription by Frank Winterbottom, played by the U.S. Marine Band for the album Music From the Land of Hope and Glory under the direction of Col. Michael J. Colburn.

Movement III, "March", of Gustav Holst's famous First Suite in E-flat for Military Band. Performed by the U.S. Marine Band.

The "Warrior's Dance" from The Crown of India Suite by Edward Elgar, in a transcription by Frank Winterbottom, played by the U.S. Marine Band for the album Music From the Land of Hope and Glory under the direction of Col. Michael J. Colburn.

Movement II, "Intermezzo", of Gustav Holst's famous First Suite in E-flat for Military Band. Performed by the U.S. Marine Band.

The "Intermezzo" from The Crown of India Suite by Edward Elgar, in a transcription by Frank Winterbottom, played by the U.S. Marine Band for the album Music From the Land of Hope and Glory under the direction of Col. Michael J. Colburn.

Oskar Böhme's Sextet in E-flat minor II. Scherzo, Allegro vivace performed by the United States Marine Band's Marine Brass Sextet on July 16, 2020, in John Philip Sousa Band Hall in Washington, D.C. as part of the Marine Band's "Live from 8th and I" summer virtual concert series.

The President's Own United States Marine Chamber Orchestra performs Max Bruch's Kol Nidrei, Op. 47 on March 3, 2013 at the Rachel M. Schlesinger Concert Hall and Arts Center in Alexandria, Va.

Henryk Wieniawski's Violin Concerto No. 2 in D minor, Op. 22, III. Allegro con fuoco performed by the United States Marine Band on Jan. 5, 2014, at George Mason University's Center for the Arts Concert Hall. Col Michael J. Colburn, conducting. SSgt Karen Johnson, soloist.

Infernal Dance of Kastchei comes from w:Igor Stravinsky's w:The Firebird.

Grand March from w:Aida, recorded for the Marine Band album, Retrospective, June 3-7, 2002, Center for the Arts, w:George Mason University, Fairfax, Virginia

Grieg's Suite for Strings, Op. 40, From Holberg’s Time I. Praeludium performed by the United States Marine Band. Maj Jason K. Fettig, conducting. Performed by the Marine Chamber Orchestra on Aug. 17, 2013, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va.

Grieg's Suite for Strings, Op. 40, From Holberg’s Time V. Rigaudon performed by the United States Marine Band. Maj Jason K. Fettig, conducting. Performed by the Marine Chamber Orchestra on Aug. 17, 2013, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va.

Grieg's Suite for Strings, Op. 40, From Holberg’s Time IV. Air performed by the United States Marine Band. Maj Jason K. Fettig, conducting. Performed by the Marine Chamber Orchestra on Aug. 17, 2013, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va.

Grieg's Suite for Strings, Op. 40, From Holberg’s Time II. Sarabande performed by the United States Marine Band. Maj Jason K. Fettig, conducting. Performed by the Marine Chamber Orchestra on Aug. 17, 2013, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va.

Grieg's Suite for Strings, Op. 40, From Holberg’s Time III. Gavotte-Musette-Gavotte performed by the United States Marine Band. Maj Jason K. Fettig, conducting. Performed by the Marine Chamber Orchestra on Aug. 17, 2013, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va.

The waltz La Reine de la Mer by John Philip Sousa, played by the U.S. Marine Band for the album Semper Fidelis: Music of John Philip Sousa

The overture Morning, Noon and Night in Vienna (Ein Morgen, ein Mittag und ein Abend in Wien) by Franz von Suppé, played by the U.S. Marine Band at a concert at the Departmental Auditorium in Washington, D.C. in 1973, conducted by band director Lt. Col. Dale Harpham

Camille Saint-Saëns's grand march Orient et Occident (Op. 25), played by the U.S. Marine Band for the album Marine Band Showcase, Volume 2.